Corrina, Corrina evaluation – excessive seas drama hits the rocks

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Corrina, Corrina evaluation – excessive seas drama hits the rocks



This formidable new play by Chloë Moss is strikingly staged and fantastically carried out beneath Holly Race Roughan’s course on this joint manufacturing from Liverpool Everyman and Playhouse with Headlong theatre firm. We’re on a present-day cargo ship carrying containers from Felixstowe to Asia. (Moi Tran’s spectacular design concurrently reveals the bridge, deck and below-deck quarters.) Moss units up this claustrophobic, hierarchical, rule-rigid world as a microcosm inside which society-wide problems with oppression and prejudice loom giant. Corrina (Laura Elsworthy, intense and layered) is the one lady on board, taking over her first submit since leaving faculty as an A-student some years earlier. The explanation for this delay pertains to a traumatic incident involving a fellow scholar, Will. Now a senior officer, he unexpectedly turns up on this voyage. The ship’s passage by pirate-haunted waters off Somalia offers Will (Mike Noble, consummate gaslighting) an excuse to arrange a confrontation with Corrina, and subsequently to play on institutional sexism to additional his self-serving makes an attempt to undermine Corrina, personally and professionally.Different members of the crew are largely from the Philippines. Corrina, not like different officers, makes an attempt to determine pleasant relations with these males. Angelo (James Bradwell, smiles hiding depths of despair) confides in her about their dire working situations, and about wage funds deferred for months. He himself has been pushed to mortgage sharks, who now menace the household he’s working so laborious to assist. By way of Angelo, the motion movingly reveals the human value of institutional racism and the revenue motive. Nevertheless, in utilizing Angelo to advance Corrina’s story, the motion itself appears to use his state of affairs and that of his fellow crew; much less weight is hooked up to their plights than to hers.Moss’s intention to deal with essential topics is admirable, however as a result of her script forces points as an alternative of creating them dramatically, characters and conditions lose credibility and her factors lose influence.



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